It was always going to happen. As the world speeds inexorably towards the internet of every-single-damn-thing and data dungheaps smother every corner of life, my career at the keyboard was inevitably going to run into artificial intelligence.
I suppose that it’s best that at least I’m writing about AI, and it’s not writing about me – yet. The project is called “Kulturtechniken 4.0” and is a major part of my new role with Goethe-Institut Australia, a German language and culture institute in Sydney where I now work part-time as online editor. Continue reading